Nineteen Sixty Eight

Amos Otis

Well-Known Member
It was late 70s / early 80s when I picked up a copy of the LP at the used / trade in shop ' head shop, because the extremely cool and hot hot clerk recommended it. Told me to play it through twice, then get back to her. Once was all it took.


 

Amos Otis

Well-Known Member
Every album mentioned on the NPR program was killer, so I figured I dig a little deeper and see what all I could find. Haven't got to the country and jazz yet, but I'm sure there is some gold over there too.
If you an find some jazz that rivals ^ 'Harvey's Tune', I'm all in. Always makes me think of rainy late nights in the city, when there was only one diner still open. Or a theme to a early 60s TV show my late parents were watching long after they put us to bed. I dig 'haunting' when applied to music, if ya know what I mean. If you don't take a few hits and re-think it. You never know. :)
 

too larry

Well-Known Member
If you an find some jazz that rivals ^ 'Harvey's Tune', I'm all in. Always makes me think of rainy late nights in the city, when there was only one diner still open. Or a theme to a early 60s TV show my late parents were watching long after they put us to bed. I dig 'haunting' when applied to music, if ya know what I mean. If you don't take a few hits and re-think it. You never know. :)
Not the same style, but it's Miles. . . . .

Miles in the Sky


Miles in the Sky was produced by Teo Macero and recorded at Columbia Studio B in New York City on January 16, 1968, and May 15–17, 1968.[2] For the album, Davis played with tenor saxophonist Wayne Shorter, pianist Herbie Hancock, drummer Tony Williams, and bassist Ron Carter.[2] Guitarist George Benson made a guest appearance on the song "Paraphernalia".[3] The album's title was a nod to the Beatles' 1967 song "Lucy in the Sky with Diamonds".[1]

 

Tstat

Well-Known Member
The album that ended my Doors fandom.
Ugh, never a fan. Maybe the LA vs SF type thing. I watched a doc about the band the other day, Jim was a douchbag, lol...

“You came for something more, didn't you...You didn't come for rock n' roll, you came for something else, didn't you? WHAT IS IT? You wanna see my cock, don't you? THAT'S what ya came here for!"

Uhhh... NO.
 
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